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mannen i rummet



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Where: Studio D4, Stockholms dramatiska högskola, Valhallavågen 189, Stockholm.
When: 16 juni kl 18.00 and 17 juni kl 15.00 och 18.00

Assistant professor in Audio Design is presenting his research project Skådespelaren och ljuddesignen (The actor and the sound design) in the form of an investigating performance featuring actor Per Graffman.

the body instrument



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Where: Room 502, Linnegatan 87
When: April 20, 16-18

Uniarts and Aleksandra Czarnecki Plaude to a seminar with a focus on movement, dramatic art, the body and on the meeting with dramatic text. Questions concerning whether the artists competence can be borrowed and translated in transdisciplinary meetings.

Improtant questions with relevence or all artists.

Read more about Aleksandra Czarnecki Plaude at uniarts.se

carl unander scharin: doctoral defence



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unander.jpg

Carl Unander-Scharins dissertation Extending Opera – Artist-led Explorations in Operatic Practice through Electronics and Interactivity is presented and defended. Following are the timetable of the events:

  • 28 januari, 18 – Dress rehearsal
  • 29 januari kl 10.30 – 12.00 Performance
  • 29 januari kl 13.00 – Defence

More information.

tacit or loud: where is the knowledge in art?



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Symposium and festival for artistic research

Nov 28-Dec 3, 2014

Call for contributions

Tacit or Loud is an international symposium and a festival for experimental arts at the Inter Arts Center in Malmö, Sweden. Tacit or Loud focuses on intermedia art and presents several international world premieres. Inter Arts Center (IAC) is an organization within the Faculty of Fine and Performing Arts located in the old Mazetti chocolate factory in Malmö. IAC provides good facilities for interdisciplinary projects, including fine arts, music and theatre, but also other arts and disciplines. For information on the venues please see  http://www.iac.lu.se.

Where is the knowledge in art?

We embrace an ecological perspective on knowledge that stretches from the tacit and embodied knowing of the artist to propositional and scientific knowledge production. Indeed, the knowledge in art can sometimes be more loud than silent. We now welcome proposals to a symposium that challenges the format of the scientific symposium. Contributions may be in artistic form (encouraged), as conference papers or in a format that combines the two. The ambition with Tacit or Loud is to merge various kinds of knowledge production in the arts with analytical modes of thinking.  Hence, it is centered around the concept of the lab as a venue for a review of artistic work and research as process.

For the complete call and more information, please see Tacit or Loud: call for presentations.

50% seminar: bruno faria



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Where: Liljieforssalen, Malmö Academy of Musicsoundpaint
When: June 3 at 17:00 and June 4 at 10.00

Flutist and PhD candidate Bruno Faria will present his 50% seminar at Malmö Academy of Music starting on June 3 with a Soundpainting ensemble performance in Liljieforssalen.

The title of his work is Embodying music through (un)notated signs and gestures: reexamining musicianship through the transformed musical horizon of the sign language Soundpainting and his opponent will be Catarina Domenici (UFRGS – Brazil). A solo performance and their discussion on his thesis will start at 10:00 on June 4.

On the June 5 (10-15), Catarina Domenici will speak about her collaborative work with composers and also about research in music in Brazil.

75% seminar: simon goldin



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Where: Salle Vasari, à l’INHA, Galerie Colbert. Accès: 6 rue des Petits – Champs ou 2 rue Vivienne, Paris

When: May 14, 19:00

Goldin+Senneby
Passive Liquidity Provider

Participants: Jo Randerson (drama), Mark Jeary (actor), Claes-Henrik Julander (investor), Ybodon (computer scientist).

Presented in collaboration with Something You Should Know: Artistes et Producteurs, Paris.

Invitation

67,3% seminar: malin arnell



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malin-arnell

I am not quite sure. This is an arduous terrain (2013). Here Malin Arnell with Ulrike Müller. Photo: Lia Lowenthal. Courtesy of the artist.

Where: Weld, Norrtullsgatan 7
When: May 10-12

Over the course of three days, artist Malin Arnell will enact a performative research seminar at Weld in Stockholm. The seminar encompasses a number of public actions, screenings and discussions that directly engage her ongoing artistic research as it is generated through the live event. Specifically, the title 67,3% performative research seminar points to the moment that this seminar occupies within the arc of her overall research, which currently takes place within the framework of a PhD in Choreography at University of Dance and Circus / Stockholm University of the Arts.

Arnell understands 67,3% performative research seminar as a methodology of entanglements in which each participant comes to exist within the research framework, and in which the movement across reenactments, presentations and conversations generates the choreographic.

Program

dancism and knot circus: phd presentations at DOCH



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Where: DOCH, Studio 2, University of Dance and Circus, Brinellvägen 58
When: April 23, 12:30-17:00

Two of DOCHs PhD candidates will present their work:
Dancism and Knot Circus – presentation of PhD-projects at DOCH

  • 12.30-14.30, Studio 2, presentation of the project Dancism by PhD Candidate Paz Rojo
  • 15.00-17.00, the Stage, presentation of the project Knot Circus by PhD Candidate Jonathan Priest.

Read more (only in Swedish)
The seminars will be in English

symposium: in the blend



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Where: Inter Arts Center, Bergsg. 29, Malmö
When: April 22-25

Susan Sontag’s famous essay Against Interpretation serves as a point of departure in the artistic research stranderfrontproject Ögonblickets Anatomi (Loosly: The Anatomy of the Moment) led by Teatr Weimar and the Theatre Academy in Malmö. The focus is put on the artistic work as a carrier of its own terminology and its own discourse. The title of the symposium, In the Blend, has been taken from the book by Gilles Fauconnier and Mark Turner where the authors are constructing the term conceptual blending to denote the integration of meaning and terminology in order to create new meanings and new outlooks. The symposium is about thinking in art and includes artistic works, seminars, presentations and discussions.

In the Blend and Ögonblickets Anatomi are financed by the Swedish Research Council
Ögonblickets Anatomi is a collaboration between Teaterhögskolan i Malmö, Inter Arts Center, Teatr Weimar andwlabs.

Program

The program can be found here.

future jam: horizons



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Where: Tensta Konsthall
When: Sunday 30.3, 14:00

Haunted by Shadows of the Future – HORIZONSthe-time-tunnel-tensta1

A jam session on probable, speculative, or perhaps rather unseemly futures for Tensta in the year 2030. Starring: Adam Tensta, Dougald Hine, Gunilla Lundahl and Tor Lindstrand. Featuring: STEALTH.unlimited (Ana Džokić + Marc Neelen) and Peter Lang.

An attempt to
 re-set Tensta into probable, speculative, or perhaps rather unseemly futures in the year 2030. Will this, yet unknown Tensta be an autonomous zone, where the residents of this disregarded part of Stockholm have successfully taken their destiny into their own hands? Or 
will its multi-facetted society prove so vital that this “new Sweden” comes to dominate the entire country by 2030? Or will Tensta’s original but unfulfilled mission – of creating an environment that acknowledges and gives space to a fully liberated and democratic model citizen – ultimately be re-created? And what would such a citizens’ liberation and equality mean if we could live it today?

 

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