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  • Published: Apr 16th, 2015
  • Category: Seminar
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petra fransson: 75% seminar



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Petra Fransson, PhD candidate at Malmö Theatre Academy, is presenting her work  The radical potential of acting in a 75% seminar in Malmö on May 22, 13:00-15:00. The seminar is at IAC, Inter Arts Center, Bergsgatan 29, 4th floor, Red room.
Petra’s project is concerned with the relationship between body, text and possible existence by trying Simone de Beauvoirs ethics of ambiguity as an artistic method in performed plays by Elfriede Jelinek. The opponent will be Tiina Rosenberg.

the wall by elfriede jelinek



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When: Saturday, September 13 at 19.00. Playing until September 20.
Where: Black Room at Inter Arts Center in Malmö.

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A stove. A cigarette. A nylon nightgown. The naked skin.

Elfriede Jelinek, Sylvia Plath, Ingeborg Bachmann and Marlen Haushofer will tell you the truth. But it wouldn´t be possible if the object of revelation were another human being. Consequently, it is a wall.

The Wall is the fifth and last part of the suite Princess Dramas: Death and the Maiden I-V by Elfriede Jelinek. Here, Sylvia and Inge are performing a ritual slaughter on a male animal. The title, The Wall, refers to the 1963 novel of the same name by Austrian author Marlen Haushofer, whose unnamed protagonist awakes one day to find herself completely alone in a world that has died; separated from the outside world by an invisible wall, she writes on scraps of paper in an attempt to retain her sanity through the ordeal.

Together with the production of Rosamunde (2011) and the coming Winterreise (2016), the performance of The Wall founds the artistic articulation of the doctoral thesis work by Petra Fransson at the Theatre Academy in Malmö. Thematically, the triptych problematizes emancipation – investigates the relationship between the body and a possible existence by probing Simone de Beauvoir’s ethics of ambivalence as an artistic method – and seeks to promote acting as a dialogical and reformulating practise.

Translation: Magnus Lindman | Adaptation and performance: Petra Fransson | Set design: Sofie Josefsson | Costume and mask design: Jenny Ljungberg | Light design: Mira Svanberg

Tickets at www.kulturcentralen.nu

The production is a collaboration between Avdelning14 and the Faculty of Fine and Performing Arts at Lund University, with support from Kulturrådet and Stockholm Stad. Publisher: Nordiska ApS – Köpenhamn

tacit or loud: where is the knowledge in art?



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Symposium and festival for artistic research

Nov 28-Dec 3, 2014

Call for contributions

Tacit or Loud is an international symposium and a festival for experimental arts at the Inter Arts Center in Malmö, Sweden. Tacit or Loud focuses on intermedia art and presents several international world premieres. Inter Arts Center (IAC) is an organization within the Faculty of Fine and Performing Arts located in the old Mazetti chocolate factory in Malmö. IAC provides good facilities for interdisciplinary projects, including fine arts, music and theatre, but also other arts and disciplines. For information on the venues please see  http://www.iac.lu.se.

Where is the knowledge in art?

We embrace an ecological perspective on knowledge that stretches from the tacit and embodied knowing of the artist to propositional and scientific knowledge production. Indeed, the knowledge in art can sometimes be more loud than silent. We now welcome proposals to a symposium that challenges the format of the scientific symposium. Contributions may be in artistic form (encouraged), as conference papers or in a format that combines the two. The ambition with Tacit or Loud is to merge various kinds of knowledge production in the arts with analytical modes of thinking.  Hence, it is centered around the concept of the lab as a venue for a review of artistic work and research as process.

For the complete call and more information, please see Tacit or Loud: call for presentations.

petra fransson 50%



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When: September 2, 16.00
Where: Malmö Teaterhögskola, Studio C, Bergsgatan 31, Malmöhistorienlyder3

Petra Fransson is presenting her work Skådespelarens upphovsmannaskap och skådespelandets radikala potential at this part seminar at Malmö  Theatre Academy. The central question for this work is how the actor can explore herself as auteur and what are to potentials of this position? The oppenent at the seminar is Kristina Hagström-Ståhl

The text for the seminar may be requested from petrafransson78@gmail.com

christina ouzinidis 50%



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When: September 3, 16:00-19:00
Where: Malmö Teaterhögskola, Studio C, Bergsgatan 31, Malmö

Teatr Weimar-"Rosamunde"

LÖGNER

September 3 will Christina Ouzinidis present and defend her 50% seminar. Her work for this seminar is in the form of an essay and a series of dramatic texts to be released in a book titled Lögner later in September on the publishing label of Modernista. The opponent at this seminar will be Hanna Hallgren.

Welcome!

petra fransson 25 %



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The 25 % of Petra Fransson will take place April 2, 19 pm at Inkonst in Malmö. The event focuses on different questions raised and worked with in the performance of Elfriede Jelinek’s play Rosamunde, and invited commentators are senior lecturer Erik Rynell from the Theatre Academy in Malmö and Andreas Rothlin Svensson, actor currently working at Dramaten

25 % christina ouzounidis



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February 18, 19 pm, Christina Ouzounidis, dramatist and PhD candidate at the Malmö Theatre Academy is presenting the 25% stage of her work, the script and performance Historien lyder at the Inter Arts Center in Malmö. The performance is preceded of a seminar with violinist Anna Lindal 12.30-14 pm (also at the Inter Arts Center)  focusing mainly on the investigations of the different relationships between text and music carried out in the project. The same afternoon another play by Christina Ouzounidis, Tid för ekot premieres at the Swedish national radio channel P1, also accessible via web and podcast.
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  • Published: Nov 26th, 2010
  • Category: Lecture
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conversations on nijinsky



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Monday November 29 at 19 pm there’s an open lecture at the Inter Arts Centre in Malmö as part of the Inter Arts – Seminars 2010, organized by Malmö Theatre Academy. Miriam Horwitz, master student at Ernst Busch Hochschule für Schauspielkunst in Berlin talks about her new performance “Nijinsky”. The performance is inspired by the diary written by the famous dancer and choreographer in 1919, just before he was hospitalized for the rest of his life due to schizophrenia.

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  • Published: Nov 15th, 2010
  • Category: Lecture, Seminar
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festivals reflect contemporary theatre



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November 15 at 19 pm there’s an open lecture by Jörgen Dahlqvist on the topic of the relationship between festivals and contemporary theatre, as part of the Inter Arts-seminar series. At the Inter Arts Centre, organized by Malmö Theatre Academy.

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  • Published: Nov 4th, 2010
  • Category: Seminar
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“for God’s sake, don’t act”



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November 8, at 19 pm, there will be an open Lecture as part of the Inter Arts – seminars 2010 at the Inter Arts Centre in Malmö. Malmö Theatre Academy arranges a conversation on modern acting departing from Billie Whitelaw’s works with Samuel Beckett, involving actors and PhD candidates Petra Fransson and Lena Dahlén and actor and professor Birgitta Vallgårda.

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