Konstnärliga forskarskolan



pufendorf institute and opera improvisation

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Where: Pufendorf institute, Lund
When: Maj 5-6

The Pufendorf institute is celebrating its five year aniversary. The full program can be downloaded here. PhD candidate Sara Wilén is performing on May 6 at 12:00 with her pianist Conny Antonow.

acousmatic for the people

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Where: Inter Arts Center, Bergsg 29, Malmöbayle-acousmonium

A series of concerts reenacting some electronic classics as well as presenting new works at IAC in Malmö for an unique setup of speakers.

Tisdag 22/4, kl 19.00 – Sample Mon amour
Musik av Beatriz Ferreira, Jonty Harrison, Horacio Vaggione.

Torsdag 24/4, Kl 19.00 – Åke Parmerud

Lördag 26/4, Kl 19.00 – Synth up!
Musik av Francois Baýle, John Chowning, Jonty Harrisson, Ryoji Ikeda, Gyorgy Ligeti, Alva Noto

Fredag 2/5, Kl 17.00 – Fresh music from Malmö
Musik av Alfred Jimenez, Christos Ntovas, Camilla Söderberg, Simon Söfelde

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  • Published: Apr 22nd, 2014
  • Category: Defence
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phd defence malmö


Where: Lilla salen, Malmö Academy of Music, Ystadvägen 25
When: May 9, 2014, 10.00

PhD student Sven Bjerstedt defends his his PhD thesis in Research in Music Education on his thesis Storytelling in Jazz Improvisation: Implications of a Rich Intermedial Metaphor. The dissertation will be held in English.

Link to the thesis at Lund University Publications.

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  • Published: Oct 5th, 2013
  • Category: Performance
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go to hell

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gotohell_web_finalWhen: October 7, 8 and 9 at 19:30. October 8 also 12:00
Where: Reaktorhallen, Drottning Kristinas väg 51, KTH, Stockholm

Go To Hell: gesture and sound on the threshold.
Go to Hell is an installation and performance work set on the threshold between gesture and sound and between the worlds of the dead and the living. The three musicians of the Vietnamese/Swedish group The Six Tones move through the subterranean landscape of the dismantled R1 nuclear reactor like mythological after-images. Fragments from the myth of Orpheus are double-exposed with the tale of a beheaded ghost from Vietnamese Tuong theatre. Evoked by the potential danger of the location, the audience is invited to explore an interactive and open form installation that relates to ancient myth and its bearings on experimental art of today. The choreographies and video art all relate to the gestural and conceptual content of Toccata Orpheus, a composition for guitar solo by the German composer Rolf Riehm.

Choreography: Marie Fahlin
Sound and light installation: Gerhard Eckel
Video and sound installation by Anders Elberling och Henrik Frisk
Video by Jörgen Dahlqvist
Music by Rolf Riehm, Henrik Frisk, Richard Karpen and The Six Tones
Lightdesign Sutoda.

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