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mette ingvartsen: 75% seminar



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April 30 Konstnärliga Forskarskolan PhD candidate Mette Ingvartsen is presenting her 75% seminar with two performances, presentations and a discussion with Clémentine Deliss.

Prior to the seminar Mette is performing her piece 69 positions at MDT on April 28 and 29 (20-22). More information about both these events is found at uniarts web page (in Swedish)

The program for April 30 is:

10-12: Discussion between Mette Ingvartsen and Clémentine Deliss about 69 positions and about the concept of language in choreography.

13-14.30: Presentation by Mette Edvardsen

14.30-16: Presentation by Sarah Vanhee

16-17: Final discussion

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  • Published: Mar 23rd, 2015
  • Category: Seminar
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carina reich: 30% seminar



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The absence becoming present

Where: Dansens Hus, Lilla scen, Barnhusgatan 14, Stockholm When: March 31, April 1, 19.00-20.30

Carina Reich presents part of her ongoing PhD-project. The absent becoming present – the conducting and realization of ideas within collaborative processes.

The performative part of the seminar at Dansens hus is staged as a collaborative dialogue, by the different voices from the collaborative process. These voices comes partly from Reich’s own experiences of collaborative productions, partly from voices and comments from the working process and performance of Just my imagination I, which were presented at Stockholm University of the Arts, October 2014, and from conversations with collegues about staging and performing the research process.

The opponent for the seminar will be Rasmus Ölme and their discussion will take place at Stockholm Academy of Dramatic Arts, Valhallavägen 189, T-house, room T2 on 13th of April at 15.00-16.30

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  • Published: Mar 23rd, 2015
  • Category: Lecture
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curation’s dramaturgy



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Collaborative processes in contemporary performance, dance and exhibitions

From February–May 2015, four international curators and / or dramaturges will meet in dialogue with four international artists and / or choreographers at Stockholm University of the Arts. The dialogues are an initiative from professor André Lepecki and take place within Stockholm Uniart’s profile area Concept and Composition.

The purpose of this series is to invite an international group of distinguished curators / dramaturges and artists / choreographers, who have had an ongoing working relationship with each other, and whose artistic, curatorial and dramaturgical practices have offered a novel understanding of trans-disciplinary knowledge formation in the arts.

When:

  • April 8 at 15.00-17.00 DD Dorvillier, dancer, choreographer and teacher
  • April 9 at 15.00-17.00 Cristina Grande, Coordinator at the Performing Arts Department at the Serralves Fountation in Porto, Portugal

Where: Linnégatan 87, room L502, 5th floor

More about the lectures.

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  • Published: Mar 2nd, 2015
  • Category: Seminar
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75% seminar: kirsi nevanti



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Real Life (Or Elsewhere)

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Kirsi Nevanti at the Tempo festival

The first part takes place at Debaser strand/Bar Brooklyn, opening 3/3 at 17.30, opening speach by Tinna Joné. About identities beyond gender.

The second part is a public seminar at the Tempo Festival (Bio Rio) on March 6, 15.30-17.00. The partner for the discussion will be Klara Grunning-Harris.
More information can be found at tempofestival.se.

The third part will be held as a closed dialog seminar on march 16, 15-17 with Cecilia Roos, Lena Hammergren och Peå Holmqvst will ask questions an invite others into the inquiry.

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  • Published: Feb 9th, 2015
  • Category: Courses
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collective conversations



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Call for Participants to Collective Conversations – a workshop with artist Ricardo Basbaum

A collaboration between Stockholm Uniarts and Tensta konsthall, March 2–6 at Tensta konsthall, Stockholm.

open call for participants

Between March 2 and March 6 2015, Stockholm Uniarts and Tensta Konsthall will host the Brazilian visual artist, writer, and professor Ricardo Basbaum and his collective-conversations workshop.

The workshop collective-conversations is open to everyone and free of charge. 12 participants will be picked. The workshop will be in English.

collective-conversations is the name of Brazilian artist Ricardo Basbaum’s series of collaborative works wherein people gather to explore ways of voicing their thoughts in concert. Through dialogue, translation, quotation and writing, the group will compose a polyphonic script for a performance. This is a unique opportunity to work with one of the most distinguished artists working today in the tradition of Brazilian conceptualism. The workshop mixes performance, language, social sculpture, poetry, and sound art in a highly participatory environment exploring Basbaum’s notion of “bioconceptualism”. collective-conversations’ workshops has been taking place in Brazil, Canada, Austria, and the UK.

For the collective-conversations at Tensta Konsthall, participants will attend 4 sessions of 3 hours each (Monday to Thursday 9.30-12.30) and perform the results of the workshop in a public presentation on Friday, 6 March at 12.00 (noon).

Please send your letter of intention to professor André Lepecki at Stockholm Uniarts no later than February 23. The letter should be in English, with a short bio about yourself and a short paragraph stating why you are interested in taking the workshop.

Questions? Contact André Lepecki at Stockholm Uniarts.

About Ricardo Basbaum

Since the early 1990s, Brazilian artist Ricardo Basbaum has incited artistic encounters by inviting people to engage with and respond to systems of symbols and rules embedded in objects, scripts, diagrams, maps and games. In his projects, Basbaum quotes artistic and graphic communication tactics that are both vernacular and abstract, thereby easy to learn, interpret and memorize. Through interaction with these fluid sets of visual and linguistic terms for the production of an artwork, Basbaum seeks to collectively consider the material, social and spatial membrane between artist, contemporary art system, art object and participant.

The workshop is organized by Stockholm University of the Arts – DOCH School of Dance and Circus, University College of Opera and Stockholm Academy of Dramatic Arts.

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  • Published: Jan 28th, 2015
  • Category: Seminar
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nils claesson: 50% seminar



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Lost and found in translation

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Two exhibitions and a seminar.

  • Exhibition at Galleri Tegen 2, 24/1 – 25/2
  • Seminar at Kristallsalen at Linnegatan 87, 31/1 – 7/2

This exhibition as well as Claesson’s PhD project emmanates from the idea of the research efforts to transform Strindberg’s drama Spöksonaten to an animated fable.

The film The Milkmaid is a transformation of a choreography to a film sequence. Virpi Pahkinen created the choreography for Ingmar Bergman’s staging of Spöksonaten at Dramaten in Stockholm. The Milkmaid is a 1′ 20” film danced by Virpi Phkinen.

The defence is taking place on Wednesday February 4, 10.00-12.00 as an open discussion with prof. Gunnar Wille (Den Danske Filmskole) and Dr. Sten Sandell, musician and composer.

carl unander scharin: doctoral defence



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Carl Unander-Scharins dissertation Extending Opera – Artist-led Explorations in Operatic Practice through Electronics and Interactivity is presented and defended. Following are the timetable of the events:

  • 28 januari, 18 – Dress rehearsal
  • 29 januari kl 10.30 – 12.00 Performance
  • 29 januari kl 13.00 – Defence

More information.

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  • Published: Dec 30th, 2014
  • Category: Defence
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niklas hald: dissertation



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Niklas Hald is defending his PhD thesis Skådespelaren i barnteatern – Utmaningar för oss som spelar teater för barn och unga on January 23 januari, 2015, 15-17.30 at Ettan in the T-building of Stockholms dramatiska högskola, Valhallavägen 189.

More information here.

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  • Published: Dec 30th, 2014
  • Category: Conference
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card2 – circus on the edge



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Call for presentations

Within the conference series CLOSE ENCOUNTERS, the Circus Department at the School of Dance and Circus, part of Stockholm University of the Arts (Uniarts), Sweden, invites you to send proposals for the second conference of Circus Arts Research and Development.

CARD2– Circus Arts Research Development – Circus on the Edge

A conference with lectures, workshops, performances, films and interventions in Stockholm, Sweden, December 9th to 11th 2015

Purpose

The purpose of the conference is to create a meeting place for international researchers to introduce and share their research, to discuss, demonstrate and provoke, to agree and find collaborators, critical allies and opponents. Furthermore, to illuminate how circus practice has developed and how the field of artistic research differs from research for production.

Background

The first CARD was launched by the University of Dance and Circus as a part of the work to demystify artistic research in circus. Since then the first artistic PhD in circus has been awarded, another is underway, post-doctoral research has commenced and ongoing artistic research is producing new knowledge and opening up new critical vistas for the form. In tandem to this development, the will to reassess, research and develop circus practice in the professional sector has grown. There is a recognized need to exchange ideas within the field of circus in order to promote the research basis for circus.

The conference will be held in English. Up to date information will be posted here.

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  • Published: Oct 23rd, 2014
  • Category: Seminar
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can art save the world?



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Artistic research: What is in it for the artists

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When: October 29, 17:00 – 19:30
Where: Linnégatan 87, rum L502, 5 tr.

Can art save the world is the first seminar in a series of open gatherings concerning the role of artistic research in a number of different fields. To critique, speculate about, discuss and dream about the position and function of artistic research in the art world, the society and for the individual artist.

The panel consists of:

  • Carolina Blixt, opera singer
  • Henrik Agger, Acrobalance, circus artist
  • Louise von Euler Bjurholm, Acrobalance, circus artist
  • Marie Samuelsson, composer
  • Staffan Julén, director and photographer

Camilla Damkjaer, responsible for the research education at Uniarts will act as moderator.

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